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PARTNERS

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APASER is supported internationally by AVACI, the world’s leading network of authors’ societies, and by its creators council that campaigns internationally for audiovisual rights, Writers & Directors Worldwide. This network extends to 123 countries and via its 239 society members, represents the interests of more than four million creators.

 

The collaboration with APASER is an essential component of this international representation. It follows a similar model to that developed in Latin America with the formation of the Alianza de Directores Audiovisuales Latinoamericanos (ADAL). This has been instrumental in aligning the efforts of national authors’ societies within the region, and leveraging them with international support from AVACI and Writers & Directors Worldwide to successfully lobby governments.

 

As part of the “Audiovisual Campaign”, the laws of Chile and Colombia have already been rewritten to include measures that better protect the rights of audiovisual authors, with other countries expected to follow.

AVACI

AVACI

AUDIOVISUAL AUTHORS INTERNATIONAL CONFEDERATION

AVACI is made up of international societies and alliances that represent and/or manage the rights of Authors of Audiovisual Works, Scriptwriters and Directors.

Its creation and foundation arose from the need to expand the defense of Audiovisual Copyright throughout the world, as an inalienable, inalienable and non-transferable right, belonging to the lifelong work of its author, who is the owner of it.

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FEPACI
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FEPACI

PAN AFRICAN FEDERATION OF FILMMAKERS

The Pan African Federation of Filmmakers works with its affiliate national bodies and membership to leverage policies and actions for the development and enhancement of filmmaking in Africa.

FESAAL

FESAAL

LATIN AMERICAN
AUDIOVISUAL
AUTHORS
SOCIETIES FEDERATION

The Latin American Audiovisual Authors Societies Federation is established by and composed of Societies which Manage the Rights of Authors concerning Audiovisual Works for cinema (cinematographic works) for television (television works) or for any other exhibition method and/or visual and/or audiovisual already created or to be created in the future, and concerning authors of theatrical dramatic works,  considering as authors of such works, and only for the purposes of this document, the cinematographic and audiovisual screenwriters and directors as well as the playwright authors, authors of dramatic works for theater. It is a non-profit, non-governmental international organization and, as such, it does not intend to accrue benefits.

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AIPA
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AIPA

THE COLLECTING SOCIETY OF AUTHORS PERFORMERS AND FILM PRODUCERS OF AUDIOVISUAL WORKS OF SLOVENIA, k.o.

AIPA  is an organization whose main objective and activity is the collective enforcement and protection of the rights of authors, performers and producers of audiovisual works.

ARGENTORES

ARGENTORES

GENERAL SOCIETY
OF AUTHORS OF
ARGENTINA

The General Society of Authors of Argentina -Argentores- is a Civil Association of a professional and mutual nature. It was founded on September 11, 1910 initially under the name of Sociedad Argentina de Autores Dramáticos, and later instituted, at the end of 1934, with the current name. It has its legal domicile in the city of Buenos Aires.

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DAC

DIRECTORES
ARGENTINOS
CINEMATOGRÁFICOS

General Association of Author Directors Cinematographic and Audiovisual, is a non-profit civil association, of a professional nature of Management, Mutual, Guild and Cultural, which brings together Directors Produces of audiovisual works and cinematographic images protected by Argentine law 11,723.

DAC

DBCA

DIRETORES BRASILEIROS DE CINEMA E DO AUDIOVISUAL

DBCA is born with the democratic vocation of protecting diversity and dignifying the audiovisual director’s profession, as well as with the goal of promoting Brazilian audiovisual arts of the past, the present and the future generations.

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DBCA
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DGK

DIRECTOR

GUILD OF KOREA

The Director Guild of Korea protects the rights of Korean directors, the copyright holders of the audio-visual works. We also support directors and screenwriters who are authors of their audio-visual works and screenplays to earn ‘Fair Remuneration’ in order to contribute to the development, evolution, and cultural advancement of the film industry.

DGK is networking with related societies domestically and internationally to promote the rights of directors and screenwriters of audio-visual works.

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REDES

RED COLOMBIANA

DE ESCRITORES 
AUDIOVISUALES 

Is a collective copyright management society made up of film, television, theater, stand-up comedy, radio, new media and technology writers to defend their interests; management of their copyrights and carrying out social welfare activities in favor of their associates.

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REDES
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